Acting Skill Development

CSAC 180 — The Art of Comedy
CSAC 183 — Play Big!
CSAC 240 — Acting Without Text
CSAC 261 — Acting in Commercials I
CSAC 280 — A Taste of Theatre Styles I
CSAC 340 — Applied Zone of Silence I
CSAC 345 — Uta Hagen Workshop I
CSAC 346 — Uta Hagen Workshop II

Clown and Italian Comedy

CSAC 109 — Introduction to Clown
CSAC 181 — Italian Comedy
CSAC 281 — Italian Comedy Scenes
CSAC 381 — Italian Comedy Scenes II
CSAC 481 — Italian Comedy Performance
CSAC 820 — Ukulele Clown and Song Improvisation
CSAC 910 — Caring Clown Basics

Creating Theatre

CSAC 231 — Creative Techniques I: Source Work
CSAC 233 — Performance as Personal Memoir I
CSAC 331 — Creative Techniques II: Play Creation Project
CSAC 332 — Flexing Your Creative Muscle
CSAC 433 — Multi-Character Solo Show

Directing

CSAC 127 — Directing: An Introduction
CSAC 129 — Directing Practicum I
CSAC 427 — Directing Seminar II: Blocking
CSAC 429 — Directing Seminar III: Text Analysis

Improvisation

CSAC 282 — Improvisation I
CSAC 382 — Improvisation II
CSAC 383 — Improvisation Tune Up
CSAC 384 — Improvisation Intensive I
CSAC 385 — Character Improv: Come as You Aren't
CSAC 482 — Improvisation III
CSAC 483 — Advanced Improvisation Tune-Up
CSAC 485 — Improvisation Practice
CSAC 486 — Advanced Improvisation Practice
CSAC 487 — Improvisation III Intensive
CSAC 582 — Improvisation IV
CSAC 682 — Improvisation V
CSAC 683 — Improvisation Performance

Introductory Acting

CSAC 100 — Introduction to Acting (Intensive)
CSAC 101 — Introduction to Acting I
CSAC 102 — Introduction to Acting II
CSAC 114 — Introduction to Scene Study

Lectures and Forums for Theatre Lovers

CSAC 359 — Reading Plays: Modern British Playwrights
CSAC 458 — Reading Plays: The Crazy Canucks I
CSAC 501 — Shaw Festival Preview
CSAC 502 — Stratford Festival Preview
CSAC 509 — Method Acting: From Stage to Screen

Mask

CSAC 192 — Mask Making Weekend
CSAC 293 — Mask and Character I: Whole Masks
CSAC 393 — Mask and Character II
CSAC 493 — Mask and Character III: Performance

Monologue and Scene Study

CSAC 106 — Monologues: The Basics
CSAC 107 — More Monologues
CSAC 115 — Scene Exploration I
CSAC 214 — Scene Study II: Chekhov and Ibsen
CSAC 215 — Scenes From Canadian and Other Plays
CSAC 313 — Readers' Theatre Techniques
CSAC 316 — Advanced Scene Study with River Work
CSAC 415 — Advanced Scene Study: Quartets
CSAC 416 — Advanced Scene Study: Trios
CSAC 418 — Acting: Dead Simple
CSAC 515 — Advanced Scene Study: Comedy

On-Camera Acting

CSAC 169 — Acting on Camera A to Z
CSAC 175 — Radio Drama I
CSAC 275 — Radio Drama II
CSAC 310 — The Art of Story Telling

Period Study

CSAC 484 — Introduction to Melodrama
CSAC 584 — Melodrama Scenes
CSAC 585 — Melodrama Performance

Playwriting

CSAC 156 — Playwriting I
CSAC 259 — Reading Plays: Classic American Drama
CSAC 352 — Playwriting Lab I: Creating Conflict
CSAC 353 — Playwriting Lab II: Text/Subtext
CSAC 354 — Playwriting Lab III: Spontaneous Writing
CSAC 355 — Playwriting Lab IV: Building Suspense
CSAC 356 — Playwriting Lab V: Generating Ideas
CSAC 455 — Writing Comedy for the Stage

Playwriting and Directing

CSAC 257 — Playwriting II
CSAC 258 — Reading Plays for Playwrights, Directors, and Theatre Lovers
CSAC 329 — Directing Seminar I: Directing as a Shared Vision

Shakespeare Study

CSAC 105 — Shakespeare: Yes You Can!
CSAC 206 — Shakespeare Monologue
CSAC 304 — Shakespeare Performance Preparation
CSAC 305 — Shakespeare Performance
CSAC 505 — Shakespeare's Greek and Roman Plays

Voice and Movement
For all Movement courses, please wear comfortable, non-binding clothing you can move in and shoes that you can slip on and off, if possible. Bring a mat or large towel, a notebook, and water. Also, have a short (1 minute max) memorized piece of text to work with.

CSAC 111 — Voice Work Basics
CSAC 112 — Voice Work II
CSAC 124 — Essential Movement for Actors
CSAC 322 — Movement Lab I: Grounding and Taking Space
CSAC 323 — Movement Lab II: Fluidity and Expressiveness
CSAC 411 — Voice Work Tutorial
CSAC 424 — Transformative Movement Intensive

Personal Interest
The following courses are for personal interest and mind development. There is no age limit for enrollment.

CDMP 230 — First Cuts: Film Production for Older Adults
CSPI 110 — Conscience for Africa

Retirement Planning

CSRP 101 — Managing Transitions: Building Your Personal Legacy